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Showing posts with label Antonio. Show all posts
Showing posts with label Antonio. Show all posts

Thursday, November 5, 2015

Literary Criticism


The characters and scenario that Shakespeare presents in The Merchant of Venice portray the inconsistency and unpredictable nature of human actions. Each introduction of a character was similar to meeting someone in real life. Shakespeare was able to craft characters as complex and real as the average person, with the first "meeting" of the character forming the initial impression of that character, and then as the play goes on, that impression changing with each side the character shows.

At first, Antonio seemed like a foolish man for being so willing to loan his friend 3000 ducats while his wealth was insecure and Bassanio did not actually have a solid plan or way to pay him back. As the play progressed, however, Antonio became the compassionate and selfless friend who wanted to aid in the success of his friend and who looked out for the wellbeing of others. Even after being saved from losing a pound of flesh and receiving half of Shylock's inheritance, he makes sure that the money he receives will be given to Jessica and Lorenzo so they can have an inheritance to assure their comfort. He is more than a just a foolish friend, but a kind, caring, and solicitous person.

Moreover, even the characters such as Shylock show multiple facets. Initially, Shylock is presented as a hateful and bitter character, but in other scenes he is shown to be more than what is shown on the surface. Much of Shylock's dislike towards Antonio seems to be a result of past damages inflicted on him by the other merchants. The context in which this work was written was at a time of intense religious intolerance. Jewish minorities with a Christian majority were likely mistreated and abused constantly. Often times, it is the hurt people that seek to hurt other people. Shakespeare creates this aspect of Shylock incredibly through his writing, and adds that extra dynamic to the "villain" of the play. Much of Shylock's actions are driven by the injuries that he has obtained from those around him, he is hurt and is really just trying to protect himself. This complexity makes the story and the characters even more appealing to the audience. They are relatable characters that have inconsistent and complicated reasoning behind their actions, but at the end of the day, they are just like us. We have all had our moments where we have been bent on revenge and aimed at getting what we felt we deserve, like Shylock, and also when we have done foolish things for the sake of love.

This is a typical characteristic of Shakespeare's plays. He presents very dramatic situations, and characters that often commit unforeseeable actions, making the audience uncertain about what is going to happen next. Generally, the results are surprising but artfully close the story and express the underlying idea or lesson of the play. The development of characters in The Merchant of Venice works to this effect, drawing the audience in, surprising the audience, and consequently gratifying the audience with a crafty end result.

Symbols

This piece of literature has symbols which take on different forms. Some symbols are concrete objects while others are abstract ideas.

Shylock

More than being the antagonist in the play, Shylock embodies the aspect of selfishness and what results from only thinking about oneself. Shakespeare portrays Shylock as a character that only worries about profiting from his business. His practice of charging interest, while common and acceptable in the 21st century, was looked at as selfish and unreasonable to the Christian merchants during the Elizabethan period. Also, when his daughter ran away with his money, his primary concern was the loss of his money and jewels. This characteristic leads him to be disliked by majority of those that are around him, including his closest family members. Alienated and disliked by the other characters in the play, Shylock's selfishness results in him being completely alone. Leaving him to not have to think about anyone but himself.

Antonio

Antonio's character is the foil to Shylock. Rather than being selfish, Antonio represents selflessness. His willingness to sacrifice himself for his dear friend and his acceptance of his near death experience make Antonio the altruistic protagonist in the play's plot. While Shylock's selfishness lead to him losing everything and everyone, Antonio's selflessness not only permitted his friends to get married, but resulted in him receiving more than he had initially lost. His ships turned out to be okay, Bassanio married Portia, which meant that Antonio would get his loan back, and he was given half of Shylock's wealth by the court (which he had given to Shylock's runaway child, Jessica). Antonio's self-sacrifice brought him more benefits than losses.

Portia's 3 Caskets

Each casket that Portia's father left for her to make her future husband choose from had symbolic meaning. The prospective husband had to figure out which casket would lead him to the prize, Portia's hand in marriage. The gold box with the skull inside represented the attractive qualities of items that are shiny and beautiful on the outside, but actually have little value. The silver casket was a representation of those that do not look deep enough, but still look at objects for their surface value. The lead is dull, and simple, but holds the true treasure inside. Those that choose this box look at objects and life more profoundly to see things for what they really are on the inside. These caskets likely represented the idea that many men look at the more desirable option, but do not look at the more important qualities such as personality. Even more, one day Portia is going to grow old and loose this beauty, so the man that was able to look deeper to find the true treasure was the one deserving of her love. Each of the men that came to court Portia were either vain or trying to mask their vanity, Bassanio was the only one that was true and had real love for Portia.
Sources:
Shakespeare, William. The Merchant of Venice. No Fear Shakespeare: The Merchant of Venice. New

                York: Spark Publishing, 2003.

“The Merchant of Venice: Themes, Motifs, & Symbols.” SparkNotes LLC, 2015. Web. 3 Nov. 2015
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